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Convert MP3 to WAV

Uncompressed WAV for editors and samplers that need it.

Runs on your device, nothing is uploaded

or drop files here

MP3, WAV, M4A, AAC, OGG, Opus, FLAC, or a video to pull the sound from · add as many as you like

At a glance

Output
Uncompressed PCM WAV, 16-bit or 24-bit.
Options
Keep the original sample rate or choose 44.1 or 48 kHz; mono or stereo.
Size
About 10 MB per minute for 16-bit, 44.1 kHz stereo, several times the MP3.
Batch
Queue up a whole playlist; the WAVs come back together in a ZIP.
Honest note
A WAV can't restore what MP3 compression removed; it simply stops any further loss.
Privacy
Every file is decoded by your own browser; none of them is uploaded.

How to do it

  1. 1

    Add your MP3s

    Drop one file or a batch; the queue shows each MP3's duration and size.

  2. 2

    Pick a bit depth

    WAV is preselected. 16-bit suits most uses; 24-bit gives headroom for heavy processing.

  3. 3

    Set the sample rate if asked

    Keep the original unless the destination needs 44.1 or 48 kHz, video projects usually want 48 kHz.

  4. 4

    Convert and download

    Save the WAVs one at a time, or together as a ZIP.

Why software and hardware still ask for WAV

WAV is the plainest audio format there is, just samples, nothing to decode, and plenty of tools insist on it:

  • Hardware samplers and drum machines that only load uncompressed files.
  • Radio and broadcast playout systems with strict format rules.
  • Video editors and DAWs, which run most smoothly on PCM, especially across long timelines.
  • CD-burning software and duplication services that expect CD-ready audio.
  • Game engines and apps that need short sounds to play with no decoding delay.

Converting also helps when you'll edit an MP3 and export it again: working on a WAV keeps every intermediate save free of another round of MP3 compression.

What converting can't do

An MP3 has already thrown away part of the original sound. Converting it to WAV decodes what's left into plain samples, so the WAV sounds exactly like the MP3, no better. Think of photocopying a photocopy on a perfect machine: the new copy won't get worse, but it can't regain the detail of the original.

So if you still have the original recording, export your WAV from that. If the MP3 is all you've got, the WAV is the best version of it there is, and it won't lose anything more as you work on it.

One courtesy worth extending: if a mastering engineer, radio station or label asks you for WAV files, mention that they started life as MP3s. It changes how they'll treat the audio, and they'd much rather know up front.

Choosing bit depth and sample rate

  • 16-bit: CD quality, and more than enough to hold everything an MP3 contains. Right for most uses.
  • 24-bit, worth it if the WAV is heading into a mixing session with heavy processing, or if a system asks for it.
  • Original sample rate, most MP3s are 44.1 kHz. Keep it unless something specific requires a change.
  • 48 kHz, the standard for video. Converting here saves your video editor from resampling the music on the fly.
  • Mono, for single-voice recordings, or equipment that asks for one channel.

Need to change the level as well? Normalize Audio saves a WAV at the loudness you choose, and the audio editor trims and fades before exporting.

How much space WAV takes

Uncompressed audio grows with every second. 16-bit stereo at 44.1 kHz takes about 10 MB per minute, and 24-bit takes half as much again. A 4-minute song that's 9.6 MB as a 320 kbps MP3 becomes about 42 MB as a 16-bit WAV, or roughly 64 MB at 24-bit.

A whole playlist adds up quickly, so glance at the estimate before you start and make sure there's room on your disk. Names stay recognisable, intro.mp3 comes out as intro.wav, and a batch downloads as one ZIP. Heading back the other way later? WAV to MP3 shrinks them again.

Questions people ask

Does converting MP3 to WAV improve the sound?

No. Decoding an MP3 into a WAV reproduces exactly what the MP3 holds, so the two sound identical. The benefits are compatibility and editing without further loss, not extra fidelity.

Should I choose 16-bit or 24-bit?

16-bit for almost everything; it already holds all the detail an MP3 contains. Pick 24-bit only if your software asks for it or you're about to apply heavy processing.

Which sample rate should I use?

Keep the original (usually 44.1 kHz) unless the destination says otherwise. For video projects, 48 kHz matches the timeline.

Can I use the WAVs to burn an audio CD?

Yes. Audio CDs use 16-bit, 44.1 kHz stereo, so choose those settings and burning software can take the files as they are.

Will the WAV keep the song's title and artist?

Don't count on it. WAV has only basic tag support and many apps ignore it, so make sure the file names say what each track is.